The Pin-Up Girls, affectionately nicknamed the Pin-Ups by fans, was formed in 1996 by Mondo Castro (vocals/guitar) and ex-Keltscross members Pam Aquino (vocals/guitars) and Jeng Tan (vocals/ bass). The three discovered a mutual affinity for 80s New Wave while hanging out in a bar. They decided to form a group, one that would revive the post-punk aesthetics of their 80s heroes such as the Smiths, Echo & the Bunnymen, and the Lotus Eaters. They eventually added guitarist Ryan Nachura and drummer Noel Garcia and began performing New Wave covers at local clubs.
At the time it was not fashionable to sing New Wave tunes, especially with rap-rock quickly becoming the flavor of the latter half of the decade. Nevertheless, the Pin-Up Girls refused to compromise, reworking 80s cult classics like Blue Zoo's "Love Moves in Strange Ways," the Chameleons' "Tears," and the Housemartins' "Build" once radio staples in the Philippines - for small, hip crowds while writing their own material. The band started to shape their sound; they used two-and-three part male and female vocal harmonies and jangling guitars as their foundation. Finding zero interest from Philippine record labels, the Pin-Up Girls held a garage sale to raise money to make their own CD.
In July 2001, the Pin-Up Girls released Hello Pain by themselves. The album featured a number of tracks, namely "Witching Hour" and "Ride Rocket Wild" which became surprise hits on Philippine rock radio. When Aquino left for the U.S., she was temporarily replaced by Jaja Manuel of Girl in Park.
On July 2003, the Pin-Up Girls made their American debut with the critically acclaimed five-track EP Taste Test. The limited edition CD quickly sold out, and the dreamy ballad "Caress" hit No. 1 on NU-107 in the Philippines and on Flashback Alternatives in New Jersey. Garcia didn't remain with the band and Mitch Singson took his place. Aquino reformed the all-Pinay New Wave group Prettier Than Pink with founding member Lei Bautista in the U.S., yet never stopped contributing songs to the Pin-Up Girls.
In 2004, Taste Test was reissued with several bonus tracks as Taste Test: Expanded Menu, receiving rave reviews in the U.K. and drawing comparisons to the Go-Betweens and the Wake. Inspired by their international accolades (albeit still relatively ignored in their own land), The Pin-Up Girls continued to evolve, reaching beyond the 60s-flashback ringing riffs of their old songs with the lush orchestration of "Caress," the minor-key gloom of "Pictures," and the synthesized pop of "How Does It Feel."
A year later, the Pin-Up Girls locally released Take On the Weakened Sky, a compilation of rare tracks and demos. The band recently released its sophomore effort entitled All Seats Are Taken. The album, which was released under US-based label Sutton Records and Sony BMG, displays the band's darker and more edgy sound, which is aptly shown in tracks such as the single "Ingay" and the propulsive "Five Minute Hallway." The record was produced by Angee Rozul and features collaborations with Filipino rap pioneer Francis Magalona and former Violent Playground member Kenneth Ilagan.
No comments:
Post a Comment